SCENIC PAINTING / GRAPHIC DESIGN
Walnut Street Theatre
(scenic painting apprenticeship)
(scenic painting apprenticeship)
Cellarium Walls for the Walnut Street Theatre's production of
Sherlock Holmes: The Adventure of the Speckled Band directed by Bill Van Horn
and designed by Brian Froonjian
Sherlock Holmes: The Adventure of the Speckled Band directed by Bill Van Horn
and designed by Brian Froonjian
Garden brick wall and parquet floor for Walnut Street Theater's production of Blithe Spirit,
directed by Bernard Havard and designed by Roman Tatarowitz
directed by Bernard Havard and designed by Roman Tatarowitz
Prince Eric's ship, palm tree sliders and a detail from the false proscenium legs
for the Walnut Street Theatre's production of The Little Mermaid, directed by
Glenn Casale designed by Robert Kovach
for the Walnut Street Theatre's production of The Little Mermaid, directed by
Glenn Casale designed by Robert Kovach
Quintessence Theatre
Scenic Charge for Quintessence Theatre's "Macbeth", directed and designed by Alex Burns. Photos by Linda Johnson
Scenic Charge for Quintessence Theatre's winter rep "The Fantasticks" and "The Little Prince", directed by Megan Bellwoar and Kyle Metzger and designed by Meghan Jones. Photos by Linda Johnson
Arcadia University
Scenic Charge for Arcadia University's production of The Laramie Project, directed by Kevin Glaccum and designed by Lindsey Silver. Photos by Daniel Kontz
Scenic Charge Artist for Arcadia University's production of Dancing at Lughnasa. Photos by Daniel Kontz.
Scenic Charge Artist for Arcadia University's production of Marisol, directed by Taysha Canales and designed by Marie Laster. Photos by Daniel Kontz.
Rock wall painted for Arcadia University's production of Circle Mirror Transformation directed by Jill Harrison and designed by Marie Laster.
Off Off Broadway
Zoom backgrounds designed for The Seeing Place's virtual production of
"DOG ACT" by Liz Duffy Adams, directed by Erin Cronican
"DOG ACT" by Liz Duffy Adams, directed by Erin Cronican
Reviews:
"Living through a pandemic has inspired multiple productions about post-apocalyptic terrors, but not many are as satisfying or oddly hopeful as Liz Duffy Adams’ Dog Act...The talented cast performs via Zoom in front of illustrator Luca Bonacci’s artfully sculpted dystopian landscape. Below them appears the entrancing gaze of Weronika Helena Wozniak’s narrator. The effect binds the actors to the space better than most online productions and attracts attention from even the most Zoom-weary of audience members."- Cathy Hammer, The Unforgettable Line
